Reply #6 - September 10, 2008, 07:40:32 AM
It really depends on how the conversion is done. But, I should point out that back when we shot B&W film and made prints to get B&W images, every paper/developer combination had its own look. There cream based papers and warm tone papers and cold tone papers. There warm developers and cold developers even developers with chicken-pox. Oh, wait a minute . . . that was kids with chicken-pox . . .
You had a load of different toners. Gold, selenium, brown, sepia, etc, that changed the look of the paper and developer combination. That's before you start getting into gum printing, cyanotype, talbotype, platinum, palladium, bromiol and so on and on and on . . .
When you switch to offset or intalio(sp?) printing you get to duo- and tri-tone printing.
My point, I guess, is that B&W has never been just B&W.

Logged