Hobbyist? Professional? Dividing line or Overlap?

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So let me first start my saying this IMHO a professional is someone who makes more than 80 percent of their total income from their photography. Why 80 percent? Well that’s the figure that cuts out any other work you may do so you are solely earning your living from photography and in that it is your profession so making you a professional. OK am sure people will disagree and good post your disagreements.

Let me open up the categories further with other definitions that I use.

Amateur, someone who is taking their first steps in photography. This includes student photographers who are at a high level due to the formal schooling they are taking.

Hobbyist, someone who takes photos for fun, they enjoy it, maybe they have a point and shoot, maybe they have a top of the range DSLR.

Professional, someone who makes their sole income from photography. They use their chosen media to its highest output quality.

So let’s gets back onto Hobbyist vs. Professionals. We have heard said a professional should be one step ahead of the hobbyist. How many really good photographers do you know? Now how many really bad photographers do you know? I bet you have a higher number of bad photographers, we all would. Yes there are those photographers who set the world alight, some never take a commission and produce work for themselves which they show only to a few, then there are those that roll of your tongue, Bob Carlos Clarke, Monte Zucker, Ansel Adams, Alfred Eisenstaedt, Joe Cornish and many more their work is known around the world. I am not saying a hobbyist is always a lesser photographer however neither am I saying they are better than a professional. In all area you have good and bad photographers. Do this now though think of the worst hobbyist photographer you know someone whose work makes you want to scream, remember they have to be a hobbyist, now select the worst professional photographer you know and compare the work. If they are a pro you should find that even though their work is bad it should be better than the worst hobbyist photographer.

So where is the overlap? Well we have a hobbyist who is good with a camera they have a canon 400d and two kit lenses, so one day they decide they want to take photos. Out comes the camera and puff they are great at landscapes wow I mean their work is excellent, so their friends see it and say wow you should be a photographer can you do my wedding. They think wow great and shoot it, as they know the bride they can get what they want and produce it for them at next to nothing as they are printing the images of for pennies down at ASDA. Fast forward 6 months this photographer having realised the money to be made thinks I want the security of my job but I want to earn some of this wedding money. So they have a website, they get some bookings as they are only charging £200 for all day with an album from whsmiths. Wow thinks the bride I got a deal. Turn up at the church ready to go and they meet the Mother in Law from hell she makes Hitler look safe! She wants this photo, that photo the other photo she needs this producing that producing and the other, and in the middle of her death destroying salvo bang the camera goes down. There the sad photographer stands with no camera, an angry Mother in Law and no back up plan. The bride of course is fuming mad! But wait the photographer has no professional indemnity insurance and their was no contract so like dirt in the air he stops answering phone calls closes his website and decides opps shouldn’t have done that. You may laugh I know of this happening, I have even had a phone call on the wedding day asking if I could come and do a wedding as the photographer, a hobbyist, had turned up and they had to send him away as he had a point and shoot digital camera.

Ok before anyone starts yes you can take great photos on a point and shoot but to cover a whole wedding without changing the lens and being restricted to you depth of field and focal length!! So these hobbyists who say that the professional photographer has to stay one step ahead let me retort with this. When you pay tax and national insurance, kit insurance, cover the cost of your camera and lenses, have professional indemnity and public liability insurance, cover wages and business taxes. Then charge less and say oh it was my work that got it remember the reason a photographer charges x amount is because that is what it takes to pay for this and pay their wage. I have heard people say how anyone can charge £1000 to take some photos at a wedding with a digital camera! Well this is why. Say out of that £1000 that photographer is making £100, that’s £100 for that whole day, still sound great? Now say that out of 30 days they have 6 weddings, wow now that photographer who charges soooooooooo much is only actually making £600 a month does that cover your mortgage? Now to make matter worse in walks the hobbyist and his friends and charge £500 a wedding, because they aren’t paying half the cost, out of that they make £300 and think wow we did well. Yep and you got that booking because you undercut the professional who has to charge x amount to survive. This is where the overlap fails, if you want to be a professional and earn a living then you have my full support, but if you want to play about with someone else’s train set well then its just like Goldie Locks and the three bears. What happens when it goes wrong and you break a camera, what happens when you eat up all the work and the bears can’t work? What happens after you have slept in the beds and get bored after 6 months and decide you don’t like it after all as all these wedding are hard work.

It’s not about staying one step ahead of the hobbyist it about making the customer aware you get what you pay for. So where do you place yourself are you Goldie Locks or the Three Bears?

Cheers and Beers

Stew
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My take is that there are two parts to being a professional.  One making money from your photography, and two acting and delivering the part.  I'm not quite to the 80% level that you mention Stew, but it's closer this year than it was last year so at least it's going in the right direction.  And I'm actually shooting for about 50% from photography and 50% from other things, but that's not really important.

To me the ability to deliver the goods and act professional are more important to the definition of a pro than what percentage of your income comes from photography.  Dealing with the tough mother of the brides, staying cool when you drop your flash and it stops working, or being able to deliver 100 great images in an album versus 99 so-so and 1 outstanding seem more important to me.
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One thing strikes me: in our language we know both amateurs and hobbyists. The amateur is surprisingly the advanced hobbyist!

Steward, I fully agree with you, I think almost anyone does, bur there will always be people who undercut even a minimal price as being a professional photographer provides them with the status connected with beautiful women, palm trees, white sandy beaches etc.
As long as there are brides who don't want to pay the full price they will hire those amateurs and regret it later.

To show you how ignorant brides can be: about two years ago I had a bride in tears coming to my studio: the whole of the images were a lot worse than expected. Wickedly I asked who made the images and she answered a friend of hers did......with his mobile phone!!!!!! "He always used to make such nice snaps with his phone and now....snif."
I asked for the cd with the images, "photoshop-ed" some images and quoted a price that was way above my standard price... and she accepted if I only could restore the images to decent 5x7 's.
It was the wedding that brought me most money two years ago. Cheesy

Finally, .......then there are those that roll of your tongue, Bob Carlos Clarke, Monte Zucker, Ansel Adams, Alfred Eisenstaedt, Joe Cornish.... didnot you forget to mention a Dutch photographer with the initials LK? Grin

Leen
« Last Edit: June 16, 2007, 04:09:32 PM by Leen Koper »
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Sorry Leen you mean  Ed van der Elsken I do appologies hehe  Grin

Yes being professional is suppling the goods and yes it is earning a living but where do you place yourself. Ryan yes you dont earn all your living from photography so here is the chance to say I'm a professional because of this or that. Let get it out in the open what makes one photographer different from another, why do some suceed whilst others fail? Why do we see some great photographers who never go anywhere come onthis is your chance to get it all off your chest.
 
 
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Hi guys!  You and Goldie Locks seem be be having issues.  I've got to tell you that hanging out with Lil' Red Ridding hood is a lot more fun.  Smiley

Seriously though, I think what you really need is subclassifications of Professional Photographers.  There will always be Brides who will economize on the future because that is just the way that they are.  These type people will be with us forever and have been as well (remember the story about the grasshopper and his fiddle?)

There will also be Brides who simply cannot afford to pay a Pro.  The few weddings I have shot (4) were because of this and I took no money for my efforts and paid to have the photos developed as a gift.

It is the third example that I believe would be helped by a more precise definition of Professional Photographer which is the Bride who is able to afford but unaware of why she needs the services of a 'Guildsman' -or whatever.

So, you Pros get to work and agree upon some terms and then get the word out. Wink

mike
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The smart person learns from their own mistakes.
The Wise person learns from the mistakes of others!

Well, this thread strikes me; hard!  Honestly, I think maybe I am getting a little too defensive, so instead of spending the next 45 minutes trying to type a dissertation about all the reasons I feel there are so many flaws in the thinking on both sides of this potential argument, I am going to pose some questions that hopefully make everyone; pros and amateurs, full-timers and weekend warriors, think a little harder about what is going on in this business (and what part they each play).  I have been in very similar discussions with several people, many I consider to be friends and mentors, and most of which frequent this forum; but it always seems to end the same way.  So, just let me preface by saying that I am not trying to say anyone is right or wrong, but that I think there has to be room allowed for everyone.

How many self-taught photographers are providing high-end professional photographic services today? 10 years ago? 20 years ago?

How many people have enough natural ability to start out as a full time professional (in any business) and expect to provide for their families?  What about with only some formal education?  What about with some professional experience working under a skilled technician?

If a part-time photographer has a back-up system, indemnity insurance, a business team (accountant, lawyer, etc.), tax liability, a working professional relationship with high end vendors, and a professional business structure/practice/attitude, etc.; is he/she a pro, an amateur, or a hobbyist?

If a part-time/amateur/hobbyist/aspiring-pro photographer's prices are equal to the local high end pro's, what does the pro offer that makes him so much better (he would no longer be the high end pro, would he)?  Conversely, how does the part-time/amateur/hobbyist/aspiring-pro photographer plan on ever becoming a high end pro because he can't get any business charging astronomical prices for a mediocre product?

Lastly, is there some magic potion that takes someone hobbyist to professional without working through the ranks, testing the waters, and learning the business before taking the plunge into full time professional photography?  BTW, I want some if it exists!  Don't you build a house with the first brick?  Journeys with the first step and all that stuff?

OK, so I apologize if I come across a little upset.  I am tired of feeling kicked around; and yes, I do take this a little personal.  I, for one, have people depending on me, and I don't feel like it is the right thing for me to do (especially being the sole source of income in my home) dropping my 12 year career and starting a photography business that I don't think I am good enough at to make a living with.  I can't charge the prices that are necessary to survive because I'm not good enough to.  Until then, or until I can work in a studio for a pro that can/will pay me, I am doing it on the side, for lower prices, and with as much professionalism and customer service as I can possibly provide to my clients.  If that makes me an amateur in your eyes, so be it.  In my opinion, I am every bit as professional as any other photographer out there based on the way I do business (even if it is part time).  If ever I feel confident enough to charge what I need to make ends meet for my family's economy, I will quit my job and do what I would love to do, I just don't have that confidence/ability right now, and I don't think I should be considered a thorn in everyone's side for being this way.

On the flip side: yes, I'm tired of the $200 soccer mom with her camera and kit lens taking the weddings and portrait sessions from me, and then giving all the images away on CD.  I also understand that she has a right to do so, and I can't control that, all I can do is try to become known by the people who know the difference between what she provides, and what I provide.  They will judge the value themselves, and that is where my business will/needs to exist.  You can't control the weather, so there is no point trying to (or even having a bad attitude about).  All you can control is how you deal with the adverse weather conditions.

OK, so I still spent 45 minutes typing all of this, just imagine if I'd said all I'm thinking!!

Travis
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I'm tired of the $200 soccer mom with her camera and kit lens taking the weddings and portrait sessions from me, and then giving all the images away on CD. 

Remember this post isnt about upseting anyone its about making people think and talk, is my post my true beliefs or am I playing devils advercate? Travis you say your sick of the soccer mom with her camera taking $200 weddings, well why maybe she is starting out as you said you are? This artical is food for thought at all stages in our love of photography we will be one step behind everyone else, how do you get that step up? Easy start doing what it takes.

The $200 Soccer mom goes on to be the part-time weekend warrior with their camera and a little bit of knowledge, they dont like the soccer mom (I hate the word soccer, we ruled the earth its Football!!) as she takes the $200 wedding wen they know they could have got $500 for it, now then the weekend warrior goes on to be the part-time photographer they work hard when they can and start to do more work, they now start to hate the weekend warrior, forget soccer mon her weddings are no longer if this persons league, so know the $500 wedding warrior wedding is sticking in the part time photographers throat as they could have got $1400 for it. So from the part-time we go to the full-time photographer, this is their profession so we can call them a professional, likewise anyone who works as a teacher is a professional teacher, if I stood their and made up a few lessons I wouldnt dare call myself a professional teacher id just be trying it out, so anyway the full time photographer gets fed up with the part-time photographer and the weekend warrior, soccer mon is still below so we can do forget about her and let her pick up her kids from soccer practise. The full-time photographer is now having to charge a minimum of $1400 just to clear costs, no cant undercut the part-time person and wouldnt be able to take the weekend-warrior money levels. So you have a photographer charging $3000 for a wedding, one charging $1400, one charging $500 and one charging $200. Now then maybe i wasnt fair at the start, everyone so far has got caught up on I'm this I'm that.... WRONG. What is your work? That is the true sign of professional photographer, ask any full-time photographer what they think of their work as a fellow photographer and they will say yeah its good, room for improvement. Now ask them as a customer and they will say it brilliant and the best going, why, because they believe in their work and they believe in the valuse of their work.

You most have faith in your work to be able to go that step to a full time photographer as its only then will you start to charge what you know its worth. Travis take for example some of those stunning landscapes you have posted on here, they are great and could hang in everyones home but until you say yes my work is worth that you cant take that step forward, releasing a safety net is a hard thing and its not something to do lightly but please to everyone who wants to be a full-time photographer dont what ever you do think that safe is alwasy best. I have seen photographers who could blow you away with their work. i mean life changing stuff, but they didnt want to step outside of their own little box, their work did but their faith didnt. If you want to be a professional photographer then believe that you are a professional photographer, that is the simple answer, faith in you, your work and if it all goes belly up then you know you tried but it is better to have tried than be the person who sits there asking why did I never go for it?

Food for thought or fuel for the fire you decide.

Cheers and Beers

Stew
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First of all, Touche'.

Secondly, Football?  Isn't that a pigskin and a buch of overpaid, herculean mammoths in pads?  Grin

And third,
So, just let me preface by saying that I am not trying to say anyone is right or wrong, but that I think there has to be room allowed for everyone.
I do believe that everyone has a right to exist at their own place in the chain.  My point with the poorly stated "Soccer Mom" analogy was that I could understand the full time professional's frustrations with someone like..., say..., me.  It's OK, I'm not all that bothered by it, I just don't really like feeling like it's being thrown in my face all the time.  Every workshop, every seminar, every recent book, every forum seems to be saying the same things; and I just don't really know where I fit so I take it too personal.

As for your last question, definitely "Food for thought".  I appreciate this topic (thanks to Stewart) and I would like to see what others have to say as well.  I have said enough to stir the pot, now, what is everyone else thinking?

Travis
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Hi Travis, if I may intrude (some more Wink), I visit a few other forums as well and from what I can tell The People who rag on the people trying to break into the business the most are folks who either have just had a cancellation because somebody else did it cheaper, is really having trouble making ends meet and the competition is getting to them, or they have just spent 4 hours trying to salvage a wedding shoot that some amature totally botched and skipped with the money.

The vast majority of Pros that I have met are class people and don't insult anyone who gives an honest effort and has a willingness to learn!

"illegitimus non carborundum"  Keep plugging Bubba!

mike

P.S.  Stewart, maybe you can answer this.  Why would a country that has Rugby even bother with a game that won't let you use half of your talents?   Grin
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The smart person learns from their own mistakes.
The Wise person learns from the mistakes of others!

 Grin  Good post!

Here's my take- see what you think!

There is a goose for every gander and a bride for every photographer even soccer moms, stage moms, obnoxious uncles and other forms of severe rectal pain.  Consider this an axiom!   The second axiom is that you or I CAN NOT be everyone's photographer and everyone CAN NOT be our customers.  

The market for inexperienced low priced photographers is usually based on finances or lack thereof.  Some folks, even if the are wealthy as can be, place no importance on their wedding photography and will settle for anything that serves as a "souvenir" of the occasion- even snapshots.  

Sometimes there are the unsuspecting clients who think anyone with a business card that says "PHOTOGRAPHER" knows what they are doing.  The don't come to the realization that this is a mistake until it is too late and they are totally disappointed, disgruntled and in tears.  Even photographer who are experienced in other specialized aspects of photography can fall apart at a wedding given the fast pace- some pros just don't have the "people skills" to cope with the problems that we think are routine things that come with the territory.

I can not even think of competing with low priced photographers of any status or level of skill because my studio overhead plus my materials and labor coses exceed $1500 (CAN) as soon a I step in my car and go  to a wedding.  I supply the best materials, printing mediums and albums that are available, travel with a good size crew to handle lighting and put in lots of hours in post production time- sorting- retouching- printing and binding.  I produce a very high quality product and am forced to find markets that can afford my services.  Again- everybody is not gonna be my customer!

Here's something else to ponder:  Sometimes it is not even a money issue.  I do many small and conservative weddings where the photography of the day is a major priority.  Oftentimes it is and ethnic thing where people of certain backgrounds and cultures place a high degree of significance and importance on weddings and other family events. The put money aside for wedding expenses for years- from the time the children are born and when the time comes, the want the best of everything.  

Some so call "rich folks" are photographed so often that a wedding is just another occasion for those "bothersome" photographers to show up.  They just couldn't care less!

In my portrait business I photograph a lot of military people- being in the capitol city where the Department of National Defense is located.  If I get a newly appointed General in the studio who's father. mother, grandparents back 5 generations are all Generals-  BIG DEAL! that's the family business "of course he's gonna be a General"- I'll sell a few 8X10s and maybe an 11X14 display print for official use.  BUT!- give me a General who's father is a shoemaker or an automobile mechanic and watch the orders  rool in like a tornado- hay a 30x40 the the parent's lounge.- always a sure seller!

A smart businessperson has to determine how much income he or she needs to maintain their business and a decent lifestyle.  The can't really go by the competitor's price list and arbitrarily try to under or overprice their work.  Perhaps the photographer down the street wants to drive a Rolls and live in a villa.  Perhaps he or she are happy living in a closet in back of their studio- who knows?!.  You need to set your own goals and produce products and services that will allow you to achieve theses goals.

Part timers, weekend photographers, stringers or whatever you like to call them are not necessarily bad photographers- some are actually excellent.  Hopefully the may join professional guilds and associations and learn to charge fair rates that are commensurate with their good work.  For this reason I have no problems with mentoring newer photographers and participating in forums which attract a wide range of people from hobbyists to pros.

People who jump into this business without some study, mentoring, experience and/or some schooling or training  are making a big mistake.  That is the fast track to the court house to defend claims due to incompetence. Even if  no such action takes place, theses folks are risking their reputations even before they get seriously started in the business.

People often ask; "what is the difference between a truly professional and an amateur"?  I tell them the difference is simple- the real pro knows what is on that film or memory card when he presses the button- the amateur is not quite sure.  In wedding photography this is of the utmost importance because the is no time for experimentation and there are no re-shoots.

Buyer be where- Seller be where!   Camera  Ed (S)

  
 

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Ed Shapiro
The Hintonburg Studio
Suite 201  78 Hinton Avenue North
Ottawa, Ontario CANADA  K1Y 0Z8
613-792-4837    Email:  edshapiro@rogers.com

Stew,

By your definition, Tiger Woods isn't a professional golfer because he makes more in endorsements than prize money.

If you look it up in the dictionary, it doesn't say anything about how much of your money comes from you profession, but it does talk about maintaining ethic and standards.  The only people that I have ever heard talk about making more than XXX% of your income to be considered a professional are those who are making their living at something and trying to demean those who have other income.  (I am NOT accusing you of this!)  By that logic, if I were married to a doctor and didn't have another job, I could shoot five $300 weddings each year and claim to be a pro, but if I have a teaching job where I make $40K a year, have to bring in $160K from photography . . . is that net or gross . . .

The dictionary definition is really a much better and more useful one . . . it isn't about the money . . . it's about the attitude . . .

Ed
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Ed Farmer
Mount Laurel, New Jersey

www.edfarmerphotography.com
www.photoartsforum.com

OK Now its my turn, although Travis already did most of the spewing for me.

I call myself a serious hobbyist photographer and let me explain what that means.

1> GWC (Guy With Camera) lowest is the guy with the point-n-shooter that has taken some photos that look pretty good and calls himself good with a camera. This guy has no interest in learning photography, he's all about the social part of "being the photographer" or taking "nekkid" pictures. This is the guy that gives all photographers a bad name.

2> the sock.. er football mom (actually rugby is the only game but I digress) This person Mom or Dad has a VERY expensive automatic camera and shoots the game every week. Puts the camera away and that's that until the next game. Until cousin sue says "Can you shoot my wedding?" So she does.
She tries hard, has good equipment and has at least read the camera's manual.

3> Hobbyist photographer. This is the guy (me and Travis and Irish and others) that is feared most by #4 this guy has a good camera always with dreams of better. This guy reads every book he can find, studies, reads, practices, etc. He compares his work to people like Monte, Rolando, Ed, Leen [grin] etc. and works hard to make his photos as good as the people he admires. Some of the Hobbyist photographers earn more in their "real" jobs than 99% of the top pros but the money isn't the consideration, the art is.  We normally don't charge much for our services because we see our work as substandard. Because we compare it to the top pros that we study.

4> Professional photographer, this guy makes his living as a photographer, He takes pictures for a living. He has his memorized poses and his time line and his next gig in mind at all times. When he comes home from a day at the studio, he reads, or does something that is not "work" related. This guy charges a lot more than the serious hobbyist but his work is actually not as good. He is also the first to spout how unfair it is that the digital age has taken so much of his business away.

and finally

5> Top Pro or Real professional photographer. This guy charges a premium for every hour he is shooting and spends a large amount of time polishing and improving on what he did. He studies his own work for things that could be done better, he communicates with other photographers for ideas, even people with less skill because he knows you can get a good idea from anywhere. This is the guy in the magazines. This is the pro that loves his job because he gets to play for a living. This is the guy the hobbyist strives to shoot like but never will because he doesn't have the eight to ten hours a day that is needed.

I believe the people that can't afford the top shooters shouldn't be left to some of the crap that the low end pros offer. A dear friend got married and I told her I would only shoot her wedding if she absolutely couldn't afford a wedding photographer. I told her that I don't shoot weddings every week so I'm probably not as good as anybody making a living at it. She was so proud of her book when she showed me poorly exposed photos, hot spots all over most of the shots of her dress and other flaws. The poses all looked the same and she told me the photographer was to do a 2 hour shoot and when the 2 hours was up she left, not getting the last several shots.  I of course told her she was beautiful. (I also implied I was talking about the photos) Its my passion to be very very good at "painting with light" and I'll suffer no one to say they are "Better" just because they do it for a living. (working for Olan Mills does not a photographer make)

**carefully steps off soap box**
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"I get up every morning determined to both change the world and have one heck of a good time. Sometimes this makes planning my day difficult. "- EB White

Chattanooga Photographer www.BobEdens.com

See the problem with this whole thread is that we are all stereotyping (not that I don't agree with about everything a lot of you have said), but where do people like me fit in?  And why do all the groups have to hate each other?
I consider myself a professional photographer.  I make money at what I do.  No, I don't make all my money with photography, yet.  I am at that jumping off point where I need to quit my day job to handle all the weddings, but I am so scared to gamble like that.  So, I work 80 hours a week.
I love photography, but I don't eat, drink, and sleep it (okay sometimes I have to skip eating, drinking and sleeping to get all my photos edited and prints to the lab, etc...).  I do study as hard as I can and as often as I can.  I want to learn to be better, because I know I haven't nearly reached my potential yet.
So where do I fit in?  Since I don't really think I belong in any of the groups listed do they all hate me?  I so hate being hated  Sad

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Oh and by the way, on the Soccer note - it RULES, GO Real Salt Lake!  I love my team, even if they only have won one game this season...
And for the record I am NOT a soccer mom.
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Suzie, good point.

We all have people we look up to, and people that look up to us. You may be right that a "Professional" photographer may not be based on income, but passion. You are about to take the step into "full time" that I will never take and I admire you for that. I think all the posters on this board are passionate about photography or they wouldn't seek others like them all over the world just to discuss it. You guys who are considered pro, you make your living taking photos of people. When you get in your car to drive home do you have a camera close? If so photography is still your hobby.

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"I get up every morning determined to both change the world and have one heck of a good time. Sometimes this makes planning my day difficult. "- EB White

Chattanooga Photographer www.BobEdens.com

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