I just delivered this album . . .

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The bride took a year to make her selections . . .
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Ed Farmer
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Ed Farmer
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Pretty Pretty

Good solid job.  I love the group posing on pages 28 and 29.  The lighting is a little crazy, but what can you do besides use a different area?  But yeah, the posing is great, not your usual line up shot.  I need to work on this very thing that's why it stood out to me.

 Clapping
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On the whole, this one leaves me unsatisfied.  They had a great church and the reception site is nice, but not a great place for pictures.  They didn't allow enough time to go anywhere and even at that didn't start on time. 

The colors look a little bad here, but I didn't go out of my way to shrink them to display here.  Everything printed very well . . .

Ed
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Ed Farmer
Mount Laurel, New Jersey

www.edfarmerphotography.com
www.photoartsforum.com

Yeah, you get shoots and weddings like that, ones where you don't feel like they are your personal best.  You did a fine job, it's good solid work.  I'll be honest, there is nothing stand out and wow, but it's solid.  I really do like your group pose and I am going to have to study it so I can do more stuff like that, mine are always lame.
Anyway, don't be hard on yourself, it's easy to get dissapointed when we think there was more potential than what you got.  But all you can do is keep moving forward.
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Thanks Susie . . . that pretty much sums up this one . . . "Workman like."

Thanks on the group shot.  There really wasn't much space to move them.  There was a prom there the same night and they were using the other decent shooting area.  Of course, the other area was facing directly into the sun, while I managed to side light the group and not have everyone squinting!

I have always tried to avoid "line ups".  But, even more so since most of my albums are flush mounts now.  You need to have a clean break to spread these across two pages.

Thanks again,

Ed
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Ed Farmer
Mount Laurel, New Jersey

www.edfarmerphotography.com
www.photoartsforum.com

Susie,

Again, sorry for taking so long to reply to your comments!

I have what I think is a pretty simple method for doing groups like this:

After finishing with the B&G in the same location, I ask the bridal party to pair off in a line the way that they walked down the aisle.  Then I look down the line and check for anyone particularly tall or short.  The talls are going to the back inside while the shorts are going on the outside. 

I usually pose the B&G facing each other and then put the MOH&BM next to the bride.  Then one side to the other I bring couples up and either pose them back to front or facing each other.  Each of the couples gets posed as you would for a picture of them by themselves.  Last the kids are added in the front.

The size of the bridal party and the amount of space you have to work and the number of levels that you have to work on determine how you spread them out.  I also now try to leave a gap to "cut" the image through as a two page spread as I did here.

I also tell the adults in the group to just look at the camera and not to worry about what the kids are doing.  This way, while at the camera, I only have to worry about the kids.

Do this at wedding after wedding after wedding . . . eventually it works!

Ed
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Ed Farmer
Mount Laurel, New Jersey

www.edfarmerphotography.com
www.photoartsforum.com

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