Studio Kit

Recently I found a studio kit on eBay and I think it could be useful. It's relatively cheap and I'm saving up on money. I've managed to sell a few pictures and a couple of people have sent donations to help with the fund. This kit will contain three 10 x 20 backdrops, 3 10 x 10 backdrop protectors, a backdrop stand with three backdrop clamps, and three umbrella lamps. It will be my very first actual studio kit so I hope when I set it up it comes nicely. I have a book I can use for lighting references. Here's the link to the kit:

http://www.ebay.com/itm/33-STUDIO-PHOTOGRAPHY-LIGHTING-BOX-PHOTO-KIT-/310340050795?_trksid=p3286.m7&_trkparms=algo%3DLVI%26itu%3DUCI%26otn%3D3%26po%3DLVI%26ps%3D63%26clkid%3D5635447673500385436#ht_6551wt_1185

Once I get this I plan to buy other colors and maybe some patterned backdrops, and I also want to get a flash unit for my camera. This begets a question: when do the flash unit come in handy?
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White, black, and chromakey green backgrounds?

I'm thinking those lights are going to be really dim and still need some relatively long shutter speeds. I'd have to go back and look, but I think those are in the range of the modeling light wattage on the studio lighting I have which would make it good for getting an idea of the lighting but not actually lighting the shot.

My first lighting was a set of Canon Speedlites. It worked pretty well, and had the advantage that it was really portable compared to carrying studio lights and not having to worry about where to plug in. Biggest downside was not plugging in I had to worry about batteries. Bought a background stand set along with 3 light stands individually along with a couple of umbrellas. Instead of muslins I went with seamless paper, mostly because it was cheaper. The kit you linked looks like pretty much the same background stand I have.

Guess the tl;dr version, probably not a bad price if all you're expecting is the stands and background. I'm guessing you'll wind up unhappy with the lighting.
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Oh noooooo. This is VERY similar to the "studio" kit I fell for when I first started out. The lights are dim, dim, dim and you have to set a longer shutter speed or higher ISO to compensate. Don't even THINK about using it for action shots, like jumping or shooting kids. You also have to bring the lights in really close and create all kinds of tripping hazards between your tripod and the three light stands.
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Here's what I've got for lighting http://www.paulcbuff.com/b400.php - It's an Alien Bee b400. Smallest one they sell, but did a really good job while I was using it.

The background and light stands are probably the most useful parts of the kit you linked. The muslins are okay, but you probably can get by with paper instead. And unless these are different than what I've seen, the background uprights are the same as light stands, just with different tops. The background uprights I have have the same head as my light stands except for a threaded top to hold the background cross piece in place.

I can't imagine you'd use the chroma key background all that much.

Specifically what are you wanting to do? This kit seems too much like a one size fits all, and without knowing what you want out of it it's hard to give much advice other than the lights are too dim.
« Last Edit: January 15, 2012, 07:53:13 PM by Ryan »
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Ooohhh, bad idea. First off the chromakey needs a lot of light from several different lights and some software to be even close to useful. Otherwise it's just a godaweful color for a background. My first muslin backgrounds were cheap muslin from the fabric store bought by the yard and tie-dyed grey and black in a plastic tub on my porch. I still have it. It works fine and cost me around ten dollars.

If you want to start off with some lights check this out http://mpex.com/strobist/strobist-kits.html. That's for all new stuff. Look what's on those lists and start hitting Ebay and Craigslist. Read everything you can about how this guy http://zackarias.com/ relaunched himself. You can do a lot with one cheap light. Even more with one good light.

Personal opinion: portrait work is as much about how you interact with your subject and how you get them to interact with the camera as it is about gear.
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-John
Sarcasm, frustrating the clueless since 3000 b.c.
"There is no Un-Suck filter" David duChemin

Check out the new blog. http://www.jklebphoto.wordpress.com

Quote
portrait work is as much about how you interact with your subject and how you get them to interact with the camera as it is about gear
That needs to be on a t-shirt Cheesy Grin There's a discussion in here somewhere about how the tendency, especially of those just starting out, to keep acquiring new gear to try and get better before understanding what's really needed.

Another good site to read is http://strobist.blogspot.com/
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G.A.S. Gear-Acquisition-Syndrome

No one is immune. If you say you are you're just lying. Ask me about the $750 I just spent on a used film processor and parts.

Makes me think of the old guy who had a place across the road from the farm I grew up on. He had a sign in the hanger where he kept his helicopter that said "The difference between men and boys is the price of their toys." That old man taught me a lot about living without ever telling me he was doing it. Taught me what a PITA it is to get a helicopter to stay in one place in the air too.
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-John
Sarcasm, frustrating the clueless since 3000 b.c.
"There is no Un-Suck filter" David duChemin

Check out the new blog. http://www.jklebphoto.wordpress.com

I wasn't sure about the green one but it would be nice to have a black and a white one. I wanted to get backdrops, originally, and then I saw there were studio kits including umbrella lights. I'm still browsing through eBay. Since I work with kids more often than anything else, slow shutter speeds aren't going to be always useful. =)
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http://www.ebay.com/itm/Flashpoint-Budget-Studio-Monolight-Flash-160-7-5-Light-stand-FPBKA-/320786518197?pt=LH_DefaultDomain_0&hash=item4ab05dd0b5#ht_4610wt_905

Here's one way to keep it simple. One light. Buy one or two modifiers for it, simple ones like an umbrella or small softbox. Get some cheap foamcore for reflectors or one of the 5-in-1 fold up reflectors if you can get it at the same time. Learn to use it well. Blindfolded, with one hand behind your back. Once you know what it can't do that you need it to do, you start looking at adding to the kit.
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-John
Sarcasm, frustrating the clueless since 3000 b.c.
"There is no Un-Suck filter" David duChemin

Check out the new blog. http://www.jklebphoto.wordpress.com