Looking for advice and suggestions for PAF

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Hey all.  As I'm sure everybody has noticed the discussions here have been waning over the past couple of weeks.  Too many good photo forums have disappeared over the past couple of years and I really think that with the members we have here PAF has a chance to be something special.  I don't have any intentions of letting PAF go, even if the discussion drops to nothing.  There is enough good stuff within these boards that it would be a shame for it to disappear. 

So I'm asking for suggestions as to what we can do to make PAF better.  While I'm interested in hearing what's right, it's good for the ego after all, I'd really like to hear what you don't like so it can be fixed.  What do you see in other forums that you'd like to see here?  What do you wish to see in a forum that you haven't seen before?  At the end of the day a forum is a community and I'd like to know what our community wants.  This is one of those "no wrong answers" sort of issues. 
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I haven't found a forum I like as much as I used to like this one when it was more populated.  Either they are too busy, or the comments on images are not helpful (too many "that's nice" and "good job" but nothing in the way of a good critique) or people just like to fight.

I just wish people here would participate more.  I guess I can work on that too.
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Ryan, I honestly think you need to get some very motivated and energetic moderators.  You started out great with some people that we loved talking to and working with.  They have all since gone by the way-side for whatever reason.  I understand that they didn't want to put too much into workshops and discussions just to have it all lost or not taken advantage of, but what else is going to keep this going strong?  Even if the workshop itself doesn't generate discussion, it will stimulate our minds, keep the boards busy with people wanting to see what's on here next, and bring in outsiders (and lurkers) because they will see some value in the forum.  As it is, we get mediocre work posted at best (please don't take offense anyone) because the only ones left posting and critiqueing are amateurs.  That's not all bad, but we amateurs are looking for places like this to rub shoulders with experience and capability.  We want to learn and get advice from long time pros.  Instead, this has become an occasional meeting place for a couple part-timers to try to help each other fight our way up the photographic food chain.

I really hope I'm not upsetting anyone, as I see all of you as my friends; but let's face it, we don't have the encouragement, advice, expertise, critical eye, and consistently top quality images to hold water on a forum.

I was really sad to see Stewart and Leen go, Ed Farmer disappeared for quite a while (and didn't he help start this?), Ed S. doesn't feel it's worth his time to visit here anymore; what other reason did we join up here for?  There's gonna be people come and go in anything, but you have really got to get some people that are committed and loyal to helping you and us.  I can't tell you how to go about it, but that's what I think every forum (or any other group/organization) needs.  When the other forum fell apart, all the foundation of it moved to here, that's where I wanted to be.  Now it's all gone, the community has dissipated, the participation has dropped, there is nothing on here informative or inspiring anymore.  No jokes, no contests, no professional critiques, no workshops, and very few prize-winning or eye-popping images.  You can't provide all this by yourself, you are going to have to recruit some people or something.  And then they have to be convinced of the value of their contribution, regardless of how insignificant the traffic may be at any given time, it's not going to get better without them taking the time to post and teach (even when they think no one's reading or learning).

Well, that's my opinion; I'm sure it's worth every penny you paid for it  Grin !

I know I loved it here once upon a time, and I would love to see it come back... whatever it takes.

Travis
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I'm behind travis. Post a photo and nobody comments on it, you loose interest really fast.

trust me.
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"I get up every morning determined to both change the world and have one heck of a good time. Sometimes this makes planning my day difficult. "- EB White

Chattanooga Photographer www.BobEdens.com

This site was great when the ones mentioned were here. I still read Ed S workshops, be great to meet him one day.

Someone mentioned fights, sometimes, over the internet, messages can be taken the wrong way, or, the poster may say something and someone else takes it as bashing, I believe it is far from it. If we were to sit at a table and discuss images, I believe it would be a great discussion.
I think we should take it like as though we were all face to face.

Ryan, I have no idea, workshops, this should be allowed if someone has an idea on an image posted, especially when explaining something technical etc.

Let's not judge to quickly either folks as to whether someone is amateur or not. We should be open minded to ALL who post or makes comments, let's deflate the heads eh?


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Quote
Let's not judge to quickly either folks as to whether someone is amateur or not...
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...let's deflate the heads eh?

POP!!!

Better?

Honestly Mike, do you think that there is the same quality of work on here by the few of us that are still around as there was once upon a time?  Benji posts some great stuff occasionally, I haven't seen any of your best work for a long time.  I know you're learning portraiture, which is great and it's become very good, but you're strength is your fine art work, and it's not being posted anymore either.

Sorry, here comes that argument that's been mentioned, but I feel I need to defend myself from the not-so-subtle hints.  I really didn't mean to come across as though I thought I was better than anyone, just that premier work is currently a very rare commodity on this forum from anyone, myself included.  The vast majority of the 4 people visiting and posting are not capable of the things we aspire to, yet; we need to be honest with ourselves as well.

Travis
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OK of the active posters we've got a couple of beginners, a couple of formally trained, a couple of VERY experienced, and a redneck from Tennessee that learned everything at the school of hard knocks.

The single most important thing is to reply to posts. If its a newbie be nice but tell the truth. If the photo is absolute rubbish mention the main point or two and send them a detailed PM. It shows you care enough to help them and not slam them in public. Those of us that have been around, slice and dice baby!! I've already made my vote as to who should moderate or help. Another point is that the only way the Eds are going to hang around the rest of us peasants is for us to push them. Why did you do this instead of that, was there a reason you shot from that angle instead of  from the other side.. etc. etc.etc. A heated argument to me is better than dead silence.

My new favorite quote might help get my point across.
Its better to be absoulutely ridiculous than absolutley boring -- Marilyn Monroe
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"I get up every morning determined to both change the world and have one heck of a good time. Sometimes this makes planning my day difficult. "- EB White

Chattanooga Photographer www.BobEdens.com

I'm off for a few weeks, so, I'm able to offer SOME, advise. Someone else will fill in what I have missed. No problem.

College has me tied up, I have been shooting models which ties me up. As to why the lack of appearance here.

I still think though, somehow, if the images can be "Workshopped" that would be great.
I'm very confident with photoshop, I can offer ideas or workshop about doing certain things to a photo.

Sure, I can post some of my work. Here how's this. :=)

Kicker opposite to main, main light/softbox 45 camera left 8 feet up 45 down, fill light camera, back a bit, one light washing the background.

#2 main light vertical barn doors as slit a hard light, hair light high with honey comb hard light, kicker light. So, I'm learning, at least I'm trying. This is more a stage lighting/rock, not your typical classical setup, that's what we were after. Cross shadows on the floor, yep, so what, ever see the same thing in movies and even in broadcasting.
Like I said, away from the "Classical" look. Black background, yep, I wanted a dark background, The lighting on the model is a good enough separation, this is what I wanted.
Like Ed S. said, the kicker is hard to work with, well, I'm trying, I'm new to studio lighting.

Folks, let's see your try at it. :=) it's easy to critique.   


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« Last Edit: December 19, 2007, 08:49:36 AM by Mike Hodgson »
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I want to thank you for all of your comments, and for your honesty.  Right now I'm working on digesting what's been said and thinking about what can be done with your suggestions.  So I don't have anything really to say about them until I have a chance to think some more, but I don't want you to think I'm ignoring anything.  I've read through this thread about 2 dozen times and really appreciate everything that's been said.

One thing I will ask is that if anyone from this thread wants to volunteer as a moderator I would be happy to have you.  Just send me a PM and we'll talk.  I'd rather that type of discussion stay within the confines of PMs for now though just to keep it out of the public areas. 
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Quality of work, hmmm.

To each his/her own on that Opinion. Opinion/Subjective, I get enough of it from one Prof, who is a PPO judge and all that crap.
And crap it is. See, I wrote him a very nice letter concerning "Critiquing" Students are there to learn, they don't need "I like, I prefer" they need esthetics, such as, Composition and why? Focus, Exposure, why the lighting works or does not, not a Subjective comment.

Same applies here, let's try to be less subjective and try our best to explain WHY? It by far difficult to not add a Like or dislike in a critique. It is also difficult for one to make a positive critique. One should look at the overall presentation of an art work instead of one little area of distraction. What is the potential in an image? if you KNOW, explain.

Explain your reasonings, also, offer the light at the end of the tunnel, what could be done, such as positioning of the light etc.

Hope this helps to our future quest for improvements, please add to this note.
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Mike I almost completely agree. I think you should say which ones you like or don't like but you should say why for sure.

What is your backdrop made of? both the white and black are pretty near perfect, which is something I'm struggling with.
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"I get up every morning determined to both change the world and have one heck of a good time. Sometimes this makes planning my day difficult. "- EB White

Chattanooga Photographer www.BobEdens.com

White Paper and Black Paper.

The white is easy to blow.

The black, just don't directly aim lights at the background. Sides, or high above 45 down to subject in a feather like manor away from background as explained by Ed S.
Subject is about 6 feet from background.
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Mike and Bob . . . wouldn't these images and this discussion look better in a public forum?  I don't have any problem with throwing it in here, but we are talking about generating more interest in the site . . .

Ed
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Ed Farmer
Mount Laurel, New Jersey

www.edfarmerphotography.com
www.photoartsforum.com

Ed: [grin]
yes we jacked the thread, but it is a public forum..

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"I get up every morning determined to both change the world and have one heck of a good time. Sometimes this makes planning my day difficult. "- EB White

Chattanooga Photographer www.BobEdens.com

Looks public to me too. I'm not a Mod, nor do I want to be. So, if I am accidently submitted, please remove me. Thanks :=)
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