Reply #1 - May 09, 2008, 03:17:45 PM
I would just like to add that this is no different than with studio lighting. You are effectively using the overcast sunlight as a fill light, and in this case it is a background light also. The flash has become your main, and whatever difference in the metered values of the two creates your light ratio. One stop is 2:1, two stops would be 4:1 and so on.
Whoever says that they don't need studio knowledge to shoot outdoors is just lying to themselves. Everything works exactly the same. You just have this very large orb at some point in the sky that acts as one of your lights. Which one you use it as will depend on the situation and the effect you desire.
OK, back to the raccon eyes thing...
Thanks, Benji.
Travis

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