What can be done with minimal equipment . . .Library Thread

In another recent thread, a member pointed out that they had did not have access to much (or any) lighting gear or other equipment.  I am not going to produce a big tutorial here, but all of the attached images were produced with a window (we all have one of those) and at most one reflector.  I use a mix of Westcott and Photoflex reflectors in translucent white, silver and gold.  I don't use the gold very often.

The translucent could be replaced by a white bedsheet.  The white reflector by a five dollar piece of foamcore and the silver by foamcore with some aluminum foil attached.

Here goes . . .
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Ed Farmer
Mount Laurel, New Jersey

www.edfarmerphotography.com
www.photoartsforum.com

And a few more . . .
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Ed Farmer
Mount Laurel, New Jersey

www.edfarmerphotography.com
www.photoartsforum.com

Great examples, Ed!  Clapping

But I don't have windows in my studio... Wink ...and there are loads of others whom only have use of a garage as a studio (I suppose they could open the garage door for light, but no window there, either).

Not trying to negate your wonderful examples by my comments above. I would love a tutorial on minimal, inexpensive lighting for those of us who don't have natural light in our studios. Smiley

(I really looooooove the lighting on that last picture!)
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Comments and Harsh Critiques gladly accepted. My photos are ok to edit.

My photos and art: http://wildmaven.org

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Pro Critique
Well . . . there's another point!  Not one of these images was produced "in studio".  I don't even have a studio.  Every one of these was produced at the location where the bride was getting dressed on the wedding day.  The first three in parent's homes, the fourth and fifth in a hotel room, the sixth at the reception site and the seventh back at her parent's home.

Notice that only one image actually shows the window.  The rest could easily be done in a garage door or on a porch.  The primary issue is having some way to control the direction of the light.  A single softbox and reflector could also be used.  Don't have a softbox?  How about a translucent reflector and incandesant lighting on the other side of it . . .

One other thing that you don't see in any of these images . . . a background!  Most use the bride's gown and others use walls.

Ed
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Ed Farmer
Mount Laurel, New Jersey

www.edfarmerphotography.com
www.photoartsforum.com

Do you have a stand for your reflectors, or do you use an assistant? I'm trying to decide whether to purchase a reflector stand or if it will just sit there collecting dust.

Unfortunately, my studio is one room inside a much larger building. Guess I need to start thinking "outside that box," hahahhaha.  Grin
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Comments and Harsh Critiques gladly accepted. My photos are ok to edit.

My photos and art: http://wildmaven.org

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Pro Critique
I use assistants . . . although they are more often known as "bridesmaids"!

I usually have one girl holding a reflector and two holding the bride's train as a background.  I even sometimes have the flower girl hold the bride's flowers.  At smaller weddings, I have used parents or anyone else who is around.  They all tend to love helping out and being part of the process.  Digital is great for this since I can show them what we are doing on the camera back.

In the case of not having any window, I would try working with a single softbox and reflector.  You may be able to just work with the modeling light on your flash, but it may not be bright enough.  Right now, my shooting space is filled with a Christmas tree.  I may not be able to get "set up" pics for these shots until later.

Now . . . if someone would just ask what I use for a stool and posing table . . .

Ed
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Ed Farmer
Mount Laurel, New Jersey

www.edfarmerphotography.com
www.photoartsforum.com

Moderator
I have a stand to hold my reflectors and it is invaluable in my opinion.  They are not typically real expensive and come in real handy.  I use it to help control light both on location, and in my in-home studio with reflectors and gobos.  As for the garage idea, I am going to be setting up a studio in my garage when my new house is built.  I plan to make a system that will drop a large white translucent material (like a sheet) down over the door as the garage door goes up.  I don't expect that to be very expensive either, and now I have a 7'X18' softbox as a main light.  It will be great for large groups and families, I think.  One other idea; do you own a electronic flash?  I started my lighting with a flash and a $15 translucent umbrella on a $22 light stand.  If you don't already have a flash, and your budget's too tight, you will still need to resort to the natural light ideas, but if you can get a flash, I would recommend it.  Just get it off the camera for your portrait work!  You may go to the Member list and look up posts by Amy N.  She was a natural light guru and did everything with only natural light.  She did some awesome work, if you can find any.  Also, Ginnypenny does most of her work on location and with natural lighting for her bridals and portraits, she has a lot of great images posted on here for you to look at also.  Then maybe you can make some more specific questions as to how those images were created as well, and learn from what you see.

Travis
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Pro Critique
Ed, great examples.  Thanks for sharing and for the inspiration.  I agree about using guests and attendants as reflector holders.  I have never had anyone complain about being put to work, they love it.

Like Travis said, I usually use natural light.  However, if you have a flash try bouncing it diagonally off one wall and the ceiling, if they are white or a nice beige.  My husband and I have even bounced our on-camera flash (you will need a swiveling head, obviously) off a reflector for cake shots at the reception.  One of us will hold the relector to the side of the cake and aim to bounce the flash so it goes across the cake so you see all the little white on white details and don't get that horrid straight on flash light.

I just ran across a website recently for building your own ring light out of plywood and light bulbs.  I have even seen photographers put cut off translucent milk cartons on flashes to diffuse the light.  Get creative.  You don't have to buy name brand studio lights, use what you have, it makes it more fun and you may discover something that works better than any product you can buy.
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Thank you so much Ed.  You have inspired me.  I am going to mess with the adjustments on my camera and try using some natural light.  I will post here when I get some that I think are worth critiquing.  Thanks again Ed, you are a true inspiration!
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Well behaved women seldom make history. Wink

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Wonderful Examples Ed.
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"I want to warn you, my photos will always be a bit more fantasy than reality."

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completely different type of shooting, but Rolando at Glamour1 (not the type of photos most here approve of) tries to do one photo at each session with only one light.

using a shop light and an umbrella for your main light will not work as well as a window but will work as long as you set your white balance using a gray card.

Another source for reflectors is those sun screens for your car that come in two expandable pieces. (one side is sliver)
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"I get up every morning determined to both change the world and have one heck of a good time. Sometimes this makes planning my day difficult. "- EB White

Chattanooga Photographer www.BobEdens.com

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