Whats the 1 you have to have?

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Alright.
Playing around more and more with my D200 and learning that its a whole other kind of creature. ..in a good way.
The guy I got it from sold it to me with 3 lenses. Im not in love with any of them. I dont know if its my lack of experience, or the lenses.
Im having trouble with getting a good focus on subjects for example.

So, I guess primarily Nikon folks, if you could have only 1 lens, whats the one you would absolutley have to have for all around use??

Corey
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Experience is simply the name we give our mistakes.

Oscar Wilde

Seeing as I only have one lens for my Nikon it would be my 18-135mm, I haven't had a need for anything else with what I do.  It's the lens that came with the kit.  I have multiple lenses for my Olympus cameras, but if I had an 18-135 that's all I would need for that camera too.

I do want a fish eye lens... but that would be for novelty stuff.
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Well, I have the 18-70mm, I get sharp images.
I have the 70-200mm and get sharp images.

So, really, it's a matter of getting used to a new camera.

For example, if you focus, pressing the shutter half way down, then, continue to release the shutter, you will have an out of focus image. Why, you pressed half way, hesitated, therefore in that split second, slightly moved back or forward. It happens, it's normal, that's why, don't just take one shot of the subject, rather, capture a number of shots. Digital, it's cheap.

It also depends on the shutter speed selected.
There is another rule for either hand held or tripod.

 Double the focal length of the lens, 70mm for example, 140 shutter speed, anything below per say, a Tripod needed. Some lenses have the VR, well, that changes that tune. haha

I also use the wide format focus option.
« Last Edit: September 07, 2008, 12:34:47 PM by Mike Hodgson »
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For example, if you focus, pressing the shutter half way down, then, continue to release the shutter, you will have an out of focus image. Why, you pressed half way, hesitated, therefore in that split second, slightly moved back or forward. It happens, it's normal, that's why, don't just take one shot of the subject, rather, capture a number of shots. Digital, it's cheap.

Mike makes a great point.  I learned that quickly, you or subject might move if it's been a few seconds after you focused.

Another thing is to know how shaky/steady you are.  I am not steady.  I know I can get a sharp image with a shutter speed of 1/60 or faster.  I have gotten a clear image at 1/40 handheld but it's rare. 

Another thing is that I have learned to stop shooting paparazzi style.  Take a second to hold your breath for each shot and take your time being steady if you can.  Even at fast shutter speeds you can get blurry shots if you are just mindlessly snapping the shutter.
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Well, I have the 18-70mm, I get sharp images.


I have that one! Its the one Im favoring of the 3 I have.
Also a 35-70 thats crazy heavy, and a 70-300, but I cant hold that still Most the time.
Right now its the 18-70 Im working with.

I'll keep learning. the hard way.
What about the CF card? Is there a way that it can play into the speed of the capture at all?

Thanks.

Corey
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Experience is simply the name we give our mistakes.

Oscar Wilde

Card has nothing to do with with capturing a subject, the card is for in very basic terms, how fast it downloads to computer and how fast it reads the info of the capture from the camera.

You don't need a 100 of one same positioned subject, get about 3-5 shots. When shooting large groups, use a tripod, focus the family, look at the family without looking through the view finder, it's set up, by viewing the family this way, you will see what's wrong, capture at the VERY least 10, there will be people blinking, yawning, looking away etc.
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If I had to go with only one lens . . . that's tough.  A few weeks ago, everyone was listing the gear that they drag around with them and I was accused of bragging.  So, I do carry a lot . . .

One lens?  It would have to be my 80-200f2.8.  I don't know how I would pull off group shots with it . . . stand in the next county maybe . . . but, I would figure out a way to get it done . . .

Ed
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Ed Farmer
Mount Laurel, New Jersey

www.edfarmerphotography.com
www.photoartsforum.com

Aw Ed, we know you weren't bragging (I think I was the one that said that, lol).  I am just jealous because I have such a small amount of equipment, but it suits me.  I don't like bothering to switch lens and carrying stuff around, it makes me tired.  I do wish I had a longer lens sometimes though to get better DOF options.  It might also help me with more photojournalistic style images...  I wouldn't have to be up in their faces, but 135mm isn't short, it works.
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If I had to limit myself to one, it would be my 24-70 Sigma.  It's a heavy sucker, but is on my camera probably 75% of the time. 

Although I do want to get an 18-200 at some point.  Seems like that would be a great general use lens.

I've got a 70-200 which I almost never use without a monopod because it's so heavy and hard to hand hold.  Great to have for when you need the reach but a beast to carry around.
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My workhorse is my 18-200. If I'm going somewhere and I can't bring a lot of gear, that's the one I bring. I do want to buy a monopod/walking stick, though.
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Comments and Harsh Critiques gladly accepted. My photos are ok to edit.

My photos and art: http://wildmaven.org

I use my 24-85 f/2.8-4.0 almost exclusively.  There are some photos I really need my 80-400 telephoto for, but they're almost never at a normal session.  Talk about a heavy lens, probably comparable to the 80-200 and 70-200 that's already been mentioned; but certainly quite a bit heavier than any of the 70-300's I've seen.  I use my 24-85 for my studio work, landscape work, wildlife when I can get close enough (like at a zoo or something), wedding stuff, etc.  There aren't very many things I don't like it for.  I do wish I had a wider lens, but it still wouldn't be used as often, so I guess that doesn't apply to your question.  I have used an 18-200VR that a friend of mine had, and if you are primarily a wedding photographer I could see it being a great tool for the money.  I opted for the much cheaper 70-200VR to use on a second camera for weddings and events when I might need a full range of wide to mild tele.  The 24-85 is still on my primary body though, and still gets most of the action.  I just like it, and use it a lot, for a lot of photographs. Smiley
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For wedding work I use the 18mm focal length a lot.  It's necessary for family group shots in small spaces, overall shots of the ceremony, and for those shots of the bride getting ready that take place in a cramped bath room.  I have used Travis' 70-200VR and while I loved it SO MUCH, I had to sit in the very very back of the theatre at the fashion show I was shooting.

SO, it totally depends on what you are shooting Corey.  What type of work do you want to do?  Individual people?  A longer lens would be nice for compression of backgrounds.  Families?  Wider for shots that include the scenery, but you can always back up.  Wildlife?  Longer the better.  Weddings?  One with a good range...  Asking what lens everyone likes is like asking us what type of toothpaste we all use, it's gonna vary pending on personal preference  Big Grin
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Maybe true.
But its been fun to find out what everyone uses the most.
And they didnt seem to mind telling.
 Flash

Corey
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Experience is simply the name we give our mistakes.

Oscar Wilde

Maybe true.
But its been fun to find out what everyone uses the most.
And they didnt seem to mind telling.
 Flash

Corey

I didn't say you shouldn't have asked  Big Grin  I liked hearing the answers too.  I am always curious what everyone else does and uses. 
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My 12-24mm zoom comes in really handy when I need it, but it stays in the bag most of the time. 
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